No probs – like I said, I wouldn’t have thought of posting it or considered its value as an educational resource if it wasn’t for Jesse serving up a reality bomb in that other thread. I massively respect that, immediately recognised its value and wanted to contribute something along the same lines – for young composers and sound designers, insight from audio or music directors (i.e. gatekeepers who hire) is particularly rare and valuable.
Thanks Jesse for your follow up comments, especially the one about buying me a drink. Though I fear that I may come to regret that one morning in March 2014 😉
and I am happy to help demystify the process.